Today the show is all about Hollywood. Hollywood, California and Hollywood, Florida. Hollywood, California is in a rumble. For most performers in the entertainment business, residuals are the foundation to making a living—either a solid middle class living or somewhat less than that. Over many decades, residuals have been tied to various things such as repeat showings of a movie in syndication or sales of DVDs. Now, it’s all about streaming.
For performers, this is a huge change and it’s really about a fight to make sure generations of performers, some not born today, will be able to earn a respectable living. How do performers get paid in a streaming world? The performers’ union, SAG-AFTRA, just scored a big streaming deal win for performers—as well as locking in a big #MeToo step forward to protect actors from harassment. I dig into all this with the union’s president Gabrielle Carteris, who has a long career in film as an actor in film, TV and stage (most prominently in Beverly Hills 90210) and as a producer, and Ray Rodriguez, SAG-AFTRA’s Chief Contracts Officer.
Florida’s 23rd Congressional district is a strongly Democratic district currently represented by the odious Debbie Wasserman-Schultz. In a world of dishonest, morally corrupt, vain and narcissistic politicians, Wasserman Schultz stands out. That’s where Jen Perelman comes in. Jen is challenging Wasserman-Schultz in the Democratic primary which wraps up next week with Election Day after thousands of Floridians have already cast early-voting ballots. Jen’s website is jen2020.com. She joins me from the campaign trail as she was out talking to voters.
About the Author: Jonathan Tasini is a political / organizing / economic strategist. President of the Economic Future Group, a consultancy that has worked in a couple of dozen countries on five continents over the past 20 years